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París
PBS
Justine Shapiro spends a week in Paris, the capital of France and one of the most cultural and roman... Más Justine Shapiro spends a week in Paris, the capital of France and one of the most cultural and romantic cities in Europe. Justine’s first night in Paris is spent with an old American friend, who now lives in Paris. He takes her to a traditional café, where they enjoy copious amounts of traditional French fare and a few glasses of vin rouge before they join the other customers in their songs that go on till the early hours of the morning. The following day Justine attends a cookery class at the Ecole Cordon Bleu. Cooks from all over the world come here to learn a little about French haute cuisine. In the evening she takes part in an event that reflects a different side of Paris: she joins over 3,000 roller-bladers and their police escorts in their weekly night-time skate through and around the city centre. The architecture of Paris provides some fabulous views, and after her trip to the Arc de Triomphe in the morning, Justine spends the afternoon visiting and climbing some of the more contemporary buildings that Paris is renowned for, such as La Grande Arch de la Defence, L’Opera Bastille, and the Bibliotheque Nationale de France. She also rides the the number 73 bus, which offers some of the best views of Paris for a fraction of the prices charged by official sight seeing buses. Later, Justine attends one of Paris’ most famous shows, the cabaret at the Lido. Justine goes shopping in the markets which cater for Paris’ ethnically diverse population. Here she is shown around by a Ghanaian gentleman, who explains the uses and properties of various African foods. Later, she shops for the goods that Paris is more famous for: with a professional designer she is taken to some of the designer boutiques, although in the end she save her francs and picks up some bargains in the popular store, ‘Tati’. Paris is famous for its galleries and museums that represent both the traditional artistic movements of France, as well as some of its more avant-gar
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